Pagan Otherworlds Tarot: A Review

This is the deck. As in, “the” deck – the one that hits all the right places, the one I can’t put down, the one with all the right feels, overflowing with soul.

My ideal deck would have:

• reversible backs
• little-to-no text on the card fronts
• not a single card I don’t really like
• been produced by an independent publisher
• the feel of a very useable work of art
• quality artwork
• an essence of timelessness 
• excellent card stock
• card images that are complete and balanced, but not overfull 
• at least slightly illustrated minors (enough for the intuition to dig into)
• art that clearly highlights traditional card meanings 
• that special “something” 

So, that said, the Pagan Otherworlds Tarot fulfills each and every item on this list. It’s a tall order, I know. But like I said, this is the one!

The down and dirty:

• 78 cards 
• 1 additional Major (the Seeker)
• 5 “Luna” cards (representing the moon cycle)
• Strength VIII, Justice XI
• Page, Knight, Queen, King
• reversible backs with a beautiful floral image
• high quality tuck box
• mainly RWS styling with some influence from Marseilles
• excellent stock with a linen finish
• company: Uusi
• creators: Linnea Gits and Peter Dunham

This deck arrived to my home wrapped in a foam sheath upon which a small sprig of cedar was attached. A cloth card bag featuring the company’s name (Uusi) was included along with the shipping invoice. Each deck features a different herb or plant – some people received their decks along with lavender, or sage, for example. It’s a beautiful touch.

The box itself features the same design as the card backs, and feels like it was produced by someone who really knows, and loves, cards. This is the case, of course. Aside from this deck, Uusi has created a number of playing card decks, a Tarot deck called the BRuT Tarot, and they are currently working on a third Tarot deck called Eros: The Garden of Love. (They do make a few other things, such as advent calendars and wooden knife racks!)

Small details like a custom paper stamp that seals the tuck box and small printed messages in the fold of the box top add to the exquisite experience of handling this creation for the first time.

When I pulled the cards out of their box I noticed immediately that they move effortlessly over one another – no stickiness, no slight catching that sometimes occurs with matte finishes. These cards were meant to be shuffled, and I even think that the process of shuffling was intended to be a part of the overall enormous pleasure of preparing to read with this deck. If you have it, you’ll know exactly what I’m talking about.

I have heard some people express concern that the numbered Minor Arcana may be “pips” however this is not really the case. Yes, each card shows the correct number of elemental items for the suit, and no, there are no people (for the most part). But if you look at each card you will find an abundance of scenic imagery that connect with traditional RWS meaning.

Take for instance the 4 of Swords. With three swords upright (blades downward) and a single sword perpendicular to them on the ground, it mirrors the RWS version which shows three swords hanging on a wall over a stone knight, with one sword horizontal along the tomb.

The 7 of Wands shows one upright rod with six others crossed in front of it. It certainly gives the impression of advocacy, standing for what you believe in, rising to meet a challenge.

The 4 of Wands shares an unmistakable connection to the traditional RWS version, with four rods standing upright and decorated with celebratory garlands.

Even the 3 of Wands features an ocean in the background with ships either coming or going.

The tree in the 8 of Pentacles exudes the idea of growth and development. In the 5 of Cups you’ll notice that the three central cups are upside down, while the two on either side are upright. The skull below calls to mind past regrets, and mourning.

All of the Court cards are stunning. I particularly love the Queens and the Knights. There is such elegant movement in the shape of the horses that the Knights ride. Here we also see the 6 of Swords showing a boat riding through water!

Just look at this Queen of Pentacles...

The Majors are sedately spectacular as well. The Hierophant is dressed in animal skins, and holds a stang in his right hand. He is the keeper of tradition, the village vitki.

The Chariot shows a warrior in a cart pulled by two energetic rams, one black, one white.

The Sun depicts a quite traditional child riding a white horse, a kindly celestial orb floating above.

This morning I pulled a card asking, “What energy should I honor today?” I pulled the Ace of Pentacles, inviting me to count the many blessings in my life.

One of those happens to be the Pagan Otherworlds Tarot, and I cannot recommend it highly enough.

A Hankering for the 4 of Wands

This September, the Lady of Serpents (on Instagram) is hosting a self-exploration challenge and today's prompt is: "What do I unknowingly carry with me?" I love that question - it's great for identifying hidden influences that need a little illumination!

I shuffled my Fountain Tarot and drew the 4 of Wands.

Four people dance together on a sandy beach by an expanse of water. Four beams of light reach up into the sky, almost like spotlights at a party. These people, whoever they are, are having a very good time together.

As I sat with this card the word that kept coming back to me was, release. The 4 of Wands is a card of completion, of celebration, of letting go of routine (albeit momentarily). This card often represents occasions such as graduation parties, weddings, anniversaries, and can even symbolize much-needed vacations. No matter what event it connects to, the 4 of Wands represents the joy inherent in removing the framework that gives daily life its structure. We all need that from time to time, and we, as human beings, regardless of culture, nationality, or faith, always have.

Just yesterday I was sitting outside with my husband, enjoying the early evening breeze, watching as the sun broke over an invisible horizon to paint the clouds with peachy hues. As we chatted, our conversation turned to a topic that highlighted this concept of release. He spoke of the desire for community - particularly of a web of relation-ship with people he grew up with, of an environment widely conducive to his first language. I spoke of how much I've been missing northern nature - the forests, fresh waters, the aroma of pine needles in the air. We discussed our distinct lack of any sort of community at all where we live currently; we moved here for our jobs more than four years ago and in certain ways still feel a keen sense of isolation.

Looking at the 4 of Wands, I was brought back to my own memories of release-moments: when my mother and step-dad married; a week-long trip to the family home in the northern woods with extended family; time spent at a North Carolina beach house with family and friends. Yes, I thought, I am carrying this with me - a need for celebration, release, with people I know and care about.

As I pondered this, I shuffled my Dat Black Mermaid Man-Lady oracle deck and drew a card. I could see that it was one of the Dreamer cards, which represent the reader's own soul energy.

And when I turned it over I laughed in appreciation at its message:

Family! Indeed, family; kin. The embrace of people with whom deep bonds are shared.

My family is scattered around the globe. Some are in Michigan, some in Utah. Some are on the East Coast, and some are in Tennessee. Some are in Alaska. Some are in England, and some are in New Zealand. Some are in Saudi Arabia. With so many of us spread out so far, congregating becomes a challenge, and thus happens infrequently, or not at all. Cousins grow up and seek their own adventures. They establish their families in new places. It is good, in its way, but at times bittersweet, too.

My husband and I were planning a grand getaway at the end of September, just the two of us. We kept putting off planning, and I started to sense that there was a reason - a certain "something" - that was silently staying the process. I waited to see what it might be.

We finally decided not to go anywhere at all. Rather, we would spend the time at home-base, and venture out on day trips, go on dates, and enjoy some time together in that manner. My mother was still planning to come to town to look after the kids. And then my sister let us know that she'd be descending upon our household as well, flying in from the Middle East to spend a month or more with us during her own down time. My mother, my sister, my husband, our kids. All under one roof.

By ultimately choosing to stay put, we unwittingly created a space for the 4 of Wands to manifest.

Ehwaz and the 4 of Wands: A Breath of Fresh Air

This morning I pulled a rune for the general energy of my day, and a card from my Thoth deck to give me some advice about embracing it. I pulled Ehwaz and the 4 of Wands.

Ehwaz literally means "horse" and symbolizes Sleipnir, Odin's 8-legged steed (which has been a recurring theme for me lately, it seems!). This is the 19th rune in the Elder Futhark, and in simple terms deals with partnership and trust between people, positive change, and modes of transportation. Horses and humans had a deeply symbiotic relationship for so many thousands of years, and the bond between them was (and I suppose still is) sacred. Ehwaz can represent the bond of friends or romantic partners, and can indicate marriage. It can also signify movement, or travel that is necessary to achieve a goal (horse = transportation!). 

The 4 of Wands can also represent celebratory times such as weddings or marriage (or in my case, the joy of simply being at home!). This card embraces the feeling of relief - relief from everyday challenges, a positive event or shift that brings refreshing change. The wheel on this card highlights this sense of forward movement that gives wholeness to the way we experience our world. Remembering to enjoy ourselves is critical to living a rich life, and weddings and vacations certainly help us to do that. In my line of work, so do field trips!

Today a colleague and I are partnering up to take our respective classes via car and train to a major sports and entertainment venue in the downtown area. We try to build these experiences into the curriculum to give the students access to the outside world (many stay on or near campus), to give them opportunities to engage the English-speaking populace (they're all international students), and to give them a break from the typical lecture/project-based classroom routine. Ehwaz is certainly apt both in terms of partnership and travel, and the 4 of Wands encourages me to embrace the day and the breath of fresh air that it provides. Hey, even teachers need to get out of the building once in a while!